FS 100 Introduction to Film Studies. FS 100 Introduction to Film Studies. Format is typed, 12 point font. Single space each shot description, but double space between shots. Use 1-inch margins. This assignment should not run longer than 3 pages and may be shorter. You should BOTH turn in a hard copy at the beginning of the October 12 class AND upload it as a file to the eClass site.
You will be analyzing scene that is 2 minutes 23 sec. from the film The Third Man (dir. Carol Reed, 1950).
The scene will be posted to the eClass website. You will need a media player such as VLC (PC) or Quicktime (Mac) to play the clip.
Number each shot with Arabic numbers (1, 2, 3, etc.). Write out complete descriptions such as long shot, not short form, that is, not LS or ls, but be concise.
You can refer to the characters as Martins, Crabbin, Sergeant, Woman, Desk Clerk, and Bellhop.
In your analysis of each shot, indicate the following (Please observe this order, especially
regarding the type of shot and what we see in it.):
• Transition/match (the way in which the shot is linked to the following one – straight
cut, dissolve, fade, wipe)
• Type of shot (camera distance – close-up, medium shot, etc.) (Say what one sees in the shot, i.e. a close-up of the character, a long shot of the character. Also, remember to say if the person is in a profile, frontal or back view in relation to the camera.)
• Any camera movement within individual shots (panning, tilting, tracking)
• Camera angle and height
• Composition: you should note the placement, framing etc. of important figures, mise-en-scene elements, etc. Think in terms of depth of staging, setting, figure movement, figure direction, graphic qualities and the arrangement of any important objects/figures in the frame, etc.
– 3 planes in depth: foreground, middleground, and background.
– 2 halves (left hand-side and right hand-side, or upper/lower) or 4 squares (upper left corner, upper right, lower left and lower right), depending on the distribution of lines and placement of objects.
After you’ve looked at the screen in this way, place the people and objects seen according to those divisions of different parts. For example, “we can see a close-up of XXX in the foreground of the image, occupying the lower left corner.”
• if a shot is repeated you should number it and you can either repeat the information or indicate “same as shot #X.”
You do not need to interpret the meaning of the shots. This is an objective exercise and it is only meant to reflect your understanding of the terminology and to give you a chance to practice it.
Do not make note of the lighting for this assignment.
Do not mention everything that appears on the frame, only the most important elements.
Remember that the textbook Film: A Critical Introduction (Pramaggiore & Wallis) has a glossary of terms in the back.
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